https://journal.unwira.ac.id/index.php/ARTEKS/issue/feed ARTEKS : Jurnal Teknik Arsitektur 2020-09-20T11:50:17+07:00 Reginaldo Christophori Lake tarsitekturunwira@gmail.com Open Journal Systems <div style="text-align: justify;"> <div style="text-align: justify;"> <table style="width: 100.475%;" cellspacing="0" cellpadding="0"> <tbody> <tr> <td style="height: 40px; vertical-align: middle; background-color: #c1d5d8; width: 100%; text-align: justify;"><span style="color: #010a0b;"><strong>&nbsp; <img src="https://ejournal2.undip.ac.id/public/site/images/istadi_bcrec_ed/new_ani.gif" alt="new"> Current issue 2020:</strong> <a title="Current Issue" href="https://journal.unwira.ac.id/index.php/ARTEKS/issue/view/53">ARTEKS Volume 5 Issue 2 August 2020</a>&nbsp;<strong>| </strong><a title="Article in Progress Issue" href="https://journal.unwira.ac.id/index.php/ARTEKS/issue/view/45">In Progress Issue</a> <strong>| </strong><a title="Archive" href="https://journal.unwira.ac.id/index.php/ARTEKS/issue/archive">Archive</a><strong>&nbsp;| </strong><a title="Submission" href="https://journal.unwira.ac.id/index.php/ARTEKS/about/submissions">Start Submission</a><strong><br></strong></span></td> </tr> </tbody> </table> </div> <div style="text-align: justify;">&nbsp;</div> </div> <div style="text-align: justify;"><strong>ARTEKS : Jurnal Teknik Arsitektur</strong> is a medium of scholarly publication published &nbsp;by <a title="UNWIRA" href="https://www.unwira.ac.id/index.html" target="_blank" rel="noopener">Architecture Study Program of Universitas Katolik Widya Mandira</a> in collaboration with Indonesia Architect Association of [IAI] NTT Region, the <a title="IPBLI Journal" href="http://iplbi.or.id/jurnal/" target="_blank" rel="noopener">Indonesian Assisted Environment Research Association [IPBLI]</a> and <a title="ARTEKS Indexed by SATUPENA RI" href="http://satupena.id/2019/11/13/arteks-jurnal-teknik-arsitektur-unwira/" target="_blank" rel="noopener">Indonesia Writers Guild [SATUPENA RI]</a>. It serves several goals i.e., being a medium of communication, dissemination and exchange of information, and a medium of publishing scholarly research in the field of Architecture. <strong>ARTEKS : Jurnal Teknik Arsitektur</strong> is published with the frequency of publishing three times a year, in <strong>April</strong>,&nbsp;<strong>August</strong>,&nbsp;and <strong>December</strong>.&nbsp; The first issue of 2016, <a title="ARTEKS December 2016" href="https://journal.unwira.ac.id/index.php/ARTEKS/issue/view/3" target="_blank" rel="noopener">Volume 1, Nomor 1, December 2016</a>. Print ISSN <span class="serial-item serialDetailsIssn"><a title="pISSN ARTEKS" href="http://issn.pdii.lipi.go.id/issn.cgi?daftar&amp;1474331651&amp;1&amp;&amp;" target="_blank" rel="noopener">2541-0598</a></span>&nbsp;[<a title="ARTEKS print" href="https://portal.issn.org/resource/ISSN/2541-0598" target="_blank" rel="noopener">pISSN Portal</a>]&nbsp;<span class="serial-item serialDetailsEissn"><span class="serial-title">Online ISSN</span>&nbsp;<a title="eISSN" href="http://issn.pdii.lipi.go.id/issn.cgi?daftar&amp;1474944543&amp;1&amp;&amp;" target="_blank" rel="noopener">2541-1217</a>&nbsp;[<a title="ARTEKS" href="https://portal.issn.org/resource/ISSN/2541-1217" target="_blank" rel="noopener">eISSN Portal</a>]. The journal registered in the CrossRef system with Digital Object Identifier [DOI] prefix <a title="ARTEKS DOI" href="https://search.crossref.org/?q=arteks&amp;container-title=ARTEKS%2C+Jurnal+Teknik+Arsitektur&amp;publisher-name=Prodi.+Teknik+Arsitektur+Universitas+Katolik+Widya+Mandira&amp;page=2" target="_blank" rel="noopener">10.30822/arteks</a>.&nbsp;Articles can be accepted in 2 languages [Indonesian and English]. </span><strong>ARTEKS : Jurnal Teknik Arsitektur </strong>covers general as well as specific issues in the field of Architecture such as (1) Theory, History, Architectural Design; (2) Architectural Science and Technology; (3) Urban Architecture and Design; (4) House and Housing Architecture; (5) Interior and Exterior Design.</div> <div style="text-align: justify;">&nbsp;</div> <div style="text-align: justify;">The journal, which serves as a forum for the study of Indonesian Architecture, supports focused studies of particular themes and interdisciplinary studies relation to the subject. It has become a medium of exchange of ideas and research findings from various learning traditions that have interacted in a scholarly manner. The editor invites all relevant parties to contribute in publishing scientific articles that have never been published before. For essays (paper) online submission just simply visit the link <a title="Submission ARTEKS" href="https://journal.unwira.ac.id/index.php/ARTEKS/about/submissions" target="_blank" rel="noopener">HERE</a>&nbsp;and for further information you can contact us at&nbsp;<a href="mailto:arsitektur@uinsby.ac.id">arteks@unwira.ac.id</a>&nbsp;or&nbsp;<a href="mailto:emarajournal@gmail.com">tarsitekturunwira@gmail.com</a></div> https://journal.unwira.ac.id/index.php/ARTEKS/article/view/642 Frontmatter [Front Cover, Editorial Team, Indexing, and Table of Contents] 2020-07-29T06:15:06+07:00 ARTEKS J. Tek. Arsit. tarsitekturunwira@gmail.com 2020-07-29T06:15:06+07:00 Copyright (c) 2020 ARTEKS : Jurnal Teknik Arsitektur https://journal.unwira.ac.id/index.php/ARTEKS/article/view/531 Arsitektur sebagai realitas kemanusiaan (Dari keseharian sampai kesadaran transendental) 2020-07-29T19:54:21+07:00 Sudaryono Sastrosasmito sudaryono@ugm.ac.id <p>Edisi ARTEKS : Jurnal Teknik Arsitektur [<a href="https://journal.unwira.ac.id/index.php/ARTEKS/issue/view/45">Volume 5, issue 2, August 2020</a>] kali ini menyajikan suatu anyaman pemikiran hasil riset, yang memotret arsitektur sebagai sosok realitas kehidupan manusia, mulai dari arsitektur sebagai ruang keseharian sampai pada arsitektur sebagai suatu kesadaran transendental. Secara ontologis, hasil riset yang tersaji dalam edisi ini dibangun di atas satuan-satuan ruang pedagang kaki lima (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/436">Setiyawan, <em>et. al</em></a>) hunian (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/112">Purnomo dan Fauzy</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/219">Prakoso dan Wilianto</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/380">Santoni, et. al</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/395">Yuliani, et. al</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/403">Darmayanti dan Bahauddin</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/405">Hidayat, et. al</a>), wisata (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/366">Anisa dan Wati</a>), koridor kota (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/372">Ardhiansyah</a>), kawasan transit (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/402">Setiawan dan Ikaputra</a>), dan Masjid (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/103">Paramitha dan Salura</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/248">Huldiansyah dan Subroto</a>). Sedangkan secara epistemologis, payung berpikir yang digunakan dalam penelitian yang tersaji mencakup pendekatan-pendekatan: (1) perilaku ruang (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/380">Santoni, et. al</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/436">Setiyawan, <em>et. al</em></a>), (2), arsitektur organik (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/366">Anisa dan Wati</a>), (3) <em>transit-oriented development </em>(<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/402">Setiawan dan Ikaputra</a>), (4) arsitektur hijau (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/395">Yuliani, et. al</a>), (5) arsitektur vernakular (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/219">Prakoso dan Wilianto</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/405">Hidayat, et. al</a>), (6) arsitektur vandalism (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/372">Ardhiansyah</a>), (7) akulturasi arsitektur (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/112">Purnomo dan Fauzy</a>), (8) geometri dan konfigurasi ruang (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/248">Huldiansyah dan Subroto</a>; <a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/403">Darmayanti dan Bahauddin</a>), dan (9) ruang sakral (<em>sacred space</em>) (<a href="https://journal.unwira.ac.id/index.php/ARTEKS/article/view/103">Paramitha dan Salura</a>).</p> <p>© 2020 Sudaryono Sastrosasmito, ARTEKS : Jurnal Teknik Arsitektur</p> 2020-07-25T00:00:00+07:00 Copyright (c) 2020 Sudaryono Sastrosasmito https://journal.unwira.ac.id/index.php/ARTEKS/article/view/103 Relasi antara sakralitas ritual peribadatan berjamaah dengan konfigurasi spasial arsitektur Masjid Sulthoni Plosokuning 2020-07-29T19:56:43+07:00 Nadya Wicitra Paramitha nadyawicitra@gmail.com Purnama Salura purnama.salura@unpar.ac.id <p><em><strong>The relationship between sacred rituals of congregational worship and the spatial configuration of Sulthoni Plosokuning Mosque</strong></em></p> <p><em>The design of current Mosque architecture has been found as a common phenomenon to have a similar design with other buildings such as office buildings, museums, monuments or even sculptures. The Mosque architecture, in fact, should not only accommodate pragmatic activities but also must have a spatial configuration related to the symbolic ritual activities that could stimulate the congregation’s awareness in entering the sacred space. The current research discusses the relationship between the sacred ritual of group worship and the spatial configuration of Mosque architecture. It aimed revealing how the sacred function of congregational rituals is correlated to the spatial configuration of Sulthoni Plosokuning Mosque and the specific aspects that become the indicators of the correlation. The analysis uses an elaboration of universal sacrality theory, the concept of rituals in Mosque architecture, architectural configuration theory, and architectural anatomy theory. The result of analysis showed that of the seven aspects of spatial configuration being discussed, four aspects were found to have dominant relationship with sacred ritual worship, three aspects had less dominant relations and one aspect has no relationship with the sacred ritual of worship.</em></p> <p><em>© 2020 Nadya Wicitra Paramitha, Purnama Salura</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Nadya Wicitra Paramitha, Purnama Salura https://journal.unwira.ac.id/index.php/ARTEKS/article/view/112 Akulturasi arsitektur lokal dan modern pada bangunan P-House, Salatiga 2020-07-29T19:58:29+07:00 Adityo Purnomo adityopurnomoaji@gmail.com Bachtiar Fauzy bachtiarfauzy@yahoo.co.id <p><strong><em>Local and modern acculturation architecture in P-House building, Salatiga</em></strong></p> <p><em>Local and modern acculturated house concept is widely applied, one of which is the P-House by Budi Pradono in Salatiga. Understanding about of the existence of local and modern elements in building design method is necessary to cultivate and strengthen the local value to be preserved in the modern era and to enrich the culture itself. In the case of this P-House study we can describe the existence of local and modern values in the building into the concept of tread, shape, space, structure, and material and then to find out the dominating aspect between local and modern values of the three building segments. The results of the process will demonstrate the dominance and placement of local and modern elements chosen by Budi Pradono in designing the P-House. The study used a descriptive method to describe the study object, analytic method to dissect the study object with theory, and interpretive method in drawing conclusions in an attempt to understand the dominance of local and modern values in the design method as well as to define the form of acculturation used or classified through the design of residential buildings.</em></p> <p><em>© 2020 Adityo Purnomo, Bachtiar Fauzy</em></p> <p>&nbsp;</p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Adityo Purnomo, Bachtiar Fauzy https://journal.unwira.ac.id/index.php/ARTEKS/article/view/219 Penerapan konsep kejawen pada rumah tradisional Jawa 2020-07-29T20:02:12+07:00 Bintang Padu Prakoso bintangpadu95@gmail.com Herman Wilianto drhermanw@gmail.com <p><strong><em>The application of kejawen concept on Javanese traditional houses</em></strong></p> <p><em>Javanese society has a unique philosophy of life. It is known as </em>kejawen<em> and is applied in daily life, manifested in symbols and rituals pertaining to their houses. A house for the Javanese is not merely a place to live, but it is also a place to represent many symbols reminding the philosophy that gives power to the owner. Javanese traditional houses have already been previously researched, but many of these researches emphasized more on the physical aspects, rather than on philosophy of </em>kejawen<em>, which try to comprehend the reality intuitively. In order to gain a deep understanding on this matter, field observation was carried out for certain period of time, using descriptive qualitative approach. The research result shows that the Javanese house shows a perfect union between macro cosmos and micro cosmos. </em>Omah<em>’or house is derived from the word "</em>Om<em>"and “</em>Mah<em>”. ’</em>Om<em>’ means the father of space and "</em>Mah<em>" ‘lemah’/land means the mother of the earth. ‘Omah’ for Javanese people is a manifestation of macros and micro cosmos.</em></p> <p><em>© 2020 <span id="cell-237-name" class="gridCellContainer"><span class="label">Bintang Padu Prakoso</span></span>, Herman Wilianto</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Bintang Padu Prakoso, Herman Wilianto https://journal.unwira.ac.id/index.php/ARTEKS/article/view/248 Konsistensi ruang pangimaman, liwan, dan pawestren di Masjid Pathok Negara Ad-Darojat Babadan, Bantul, Yogyakarta (1970-2019) 2020-07-29T20:03:57+07:00 Denny Huldiansyah dhuldiansyah@gmail.com Tarcicius Yoyok Wahyu Subroto yoyokws@ugm.ac.id <p><em><strong>The consistency of </strong></em><strong>pangimaman</strong><em><strong>, </strong></em><strong>liwan</strong><em><strong>, and </strong></em><strong>pawestren</strong><em><strong> in Masjid Pathok Negara Babadan, Bantul, Yogyakarta (1970-2019)</strong></em></p> <p><em>Masjid Pathok Negara Babadan is one of four Pathok Negara Mosques which act as the eastern border of the state in the era of Sultanate of Yogyakarta. The Mosque has gone through many physical alterations especially within its current spaces. However, behind these alterations there are spaces whose existence have been consistent since the mosque was established until now. This raises questions such as what are the consistent spaces in Masjid Pathok Negara Babadan and what affects the consistency of those spaces. This study uses qualitative-descriptive method in order to collect data and informations about the development of floorplans and spaces in Masjid Pathok Negara Babadan. The analysis is conducted by using diachronic method and Cartesian Coordinat System (CCS). The findings of the study reveal that the existence of </em>pangimaman, liwan<em>, and </em>pawestren<em> are consistent space in Masjid Pathok Negara Babadan. This consistency is affected by the palace’s authority as the owner of sultanate’s mosques (</em>kagungan dalem<em>), including Masjid Pathok Negara Babadan itself.</em></p> <p><em>© 2020 Denny Huldiansyah, <span id="cell-269-name" class="gridCellContainer"><span class="label">Tarcicius Yoyok Wahyu Subroto</span></span></em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Denny Huldiansyah, Tarcicius Yoyok Wahyu Subroto https://journal.unwira.ac.id/index.php/ARTEKS/article/view/366 Kajian penerapan arsitektur organik pada kawasan agrowisata 2020-07-29T20:05:35+07:00 Gina Liana Wati ginaliana98@gmail.com Anisa anisa@ftumj.ac.id <p><em><strong>Organic architectural study on agro-tourism areas</strong></em></p> <p><em>Organic architecture is a concept in architecture that is in harmony with nature and integrated with the site through visualization. There are eight basic concepts that can be used as a reference in designing organic architectural building concepts, namely, building as nature, continuous present, form follows flow, of the people, of the hill, of the material, youthful and unexpected, Living music. modern agro-tourism areas can liven up the atmosphere of modern agro-tourism areas, so as to increase the attractiveness of these modern agro-tourism areas. This study used a deductive method to find out more about the application of organic architecture in the Farm Kuntum region. The analysis was conducted descriptively qualitatively using the theory of eight organic architectural concepts. The conclusion obtained is that the concept of organic architecture can be applied to modern agro-tourism areas, including applying open mass compositions and resembling organisms, presenting natural elements, and making nature part of the design an application of the building is nature concept. The form follows flow is applied to modern agro-tourism areas by designing the longest side of the building to the north and south, designing the building with openings, and designing an open area leading to a beautiful natural environment. Of the people is applied to modern agro-tourism areas by providing sufficient space for visitors to interact with animals and design buildings with open spaces that can accommodate large crowds.</em></p> <p><em>© 2020 Anisa, Gina Liana Wati</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Gina Liana Wati, Anisa https://journal.unwira.ac.id/index.php/ARTEKS/article/view/372 Setting fisik graffiti tagging sebagai bentuk vandalisme di Kota Yogyakarta 2020-07-29T20:06:36+07:00 Nino Ardhiansyah nino.ardhiansyah@uajy.ac.id <p><em><strong>Physical settings graffiti tagging as vandalism in Yogyakarta</strong></em></p> <p><em>The spatial identity of a city can be demonstrated through a clean, healthy, and organized city. A city that is clean, organized and free of vandalism is able to meet the city's identity standards. Uncontrolled vandalism perpetrators have increasingly tarnish the privilege of Yogyakarta as a city of education and culture. The act of graffiti tagging is done by writing the name of the gang/group on the media/building in public spaces using spray paint as a form of existence. Graffiti tagging will cause visual pollution that damages the privileges of the City of Yogyakarta. The phenomenon of the rise of graffiti tagging causes problems in the visualization of the representation of Yogyakarta City. The purpose of this study is to identify physical setting factors that influence the activity of graffiti tagging in Yogyakarta City and provide ideas through the preparation of Urban Design Guidelines related to graffiti tagging problems as a form of vandalism that occurs in Yogyakarta City. This study examines the physical settings and activities on the AM Sangaji corridor which is part of the imaginary axis of the city of Yogyakarta but often becomes the location of vandalism. Data collection is carried out through surveys and literature studies related to building functions, mass, height, color, transparency and setback. The identification results are then analyzed based on each element that is used as a research variable to find building criteria that tend to be objects of vandalism. The results of the study show that locations that are often used as graffiti tagging actions are the places that are located on the main road. The physical setting factors that most influenced the vandalism were lack of vegetation, small building mass, lack of transparency, and narrow setback dimensions.</em></p> <p><em>© 2020 Nino Ardhiansyah</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Nino Ardhiansyah https://journal.unwira.ac.id/index.php/ARTEKS/article/view/380 Analisis kondisi lingkungan, bangunan dan tempat rekreasi lansia pada panti jompo, Studi kasus: Sasana Tresna Werdha Karya Bhakti Ria Pembangunan dan Panti Werda Wisma Mulia 2020-07-29T20:08:03+07:00 Santoni shuaichengshan@gmail.com Fransisca Yongsie fransisca.yongsie@podomorouniversity.ac.id Evian Devi vian.tjen@gmail.com <p><strong><em>Analysis of environment, building and recreational space for elderly center</em></strong></p> <p><em>This research is motivated by the existence of the poor facilities of nursing homes for elderly people provided by government. What is needed at present is an alternative residence equipped with recreational facilities to monitor the mental and physical health of the elderly people. This research focuses on environment, building and recreation spot of nursing home. The theories applied in this research include studies dealing with elderly people, the psychology of elderly people, recreation, elderly’s recreation, the design of center for elderly people, and recreational place. The variables examined are environment, building and recreation place. Referring to previous case studies, the environment criteria that will be examined are path of building aspect, on the other hand, communal area, staff and loading areas, building circulation, room unit, balcony, seating area and pantry. Furthermore, of the recreation area, circulation pattern, space organization, activities and shape of the spaces are discussed. Two nursing homes taken as the objects of this tudy are Sasana Tresna Werdha Karya Bhakti Ria Pembangunan and Panti Werdha Wisma Mulia. It is revealed that of the environment aspect Panti Werdha Wisma Mulia is more convenient for elderly’s movements and psychological health as its compound is smaller, which allows the elderly to do activities independently, compared to of the Sasana Tresna Werdha Karya Bhakti Ria Pembangunan nursing home. From the building aspects, on the other hand, Sasana Tresna Werdha Karya Bhakti Ria Pembangunan nursing home has more adequate rooms and better circulation compared to the Panti Werdha Wisma Mulia. Furthermore, of their recreation facilities, the Sasana Tresna Werdha Karya Bhakti Ria Pembangunan has many recreation venues with big capacity and Panti Werdha Wisma has recreation park and function hall.</em></p> <p><em>© 2020 Santoni, Francisca Yongsie, Evian Devi</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Santoni, Fransisca Yongsie, Evian Devi https://journal.unwira.ac.id/index.php/ARTEKS/article/view/389 Penerapan prinsip desain Daniel Libeskind pada fasilitas permainan tradisional Melayu Riau di Pekanbaru 2020-07-29T20:09:22+07:00 Elza Fitria Ningsih elza.fitria1228@student.unri.ac.id Yohannes Firzal yfirzal@eng.unri.ac.id Pedia Aldy aldypedia@gmail.com <p><strong><em>The deisgn of Riau Malay traditional games facility by adapting Daniel Libeskind’s design principle in Pekanbaru</em></strong></p> <p><em>Pekanbaru City has a variety of children's attractions. The rides are generally found at malls or closed commercial centers that tend to provide modern games. Modern games are part of progressively advanced technological advances. Unlike the anciently, the children prefer to play by taking place on an empty field land. The condition of two different things between modern games and traditional games began to be characterized by increasingly many types of modern games and the loss of traditional games. The traditional game is a type of game originating from the Malay region of Riau. One of the game types is Congklak, Statak, gasing, and so on. Therefore, the title of the traditional game of Malay Riau that is useful to keep this traditional game can be preserved, especially children can play while learning to know the traditional values. With the concept of motion design in statak play, this facility is designed with its main function as a playground. It used the primary method of surveying, as well as the various literary sources and standards of game facilities as a secondary method. This traditional game facility emphasizes the design principle of Daniel Libeskind to create a modern design that remains thick with its traditional values. Although the facility design results have many geometric angles, but remain safe and do not interfere with children's movement.</em></p> <p><em>© 2020 Elza Fitria Ningsih, Yohannes Firzal, Pedia Aldy</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Elza Fitria Ningsih, Yohannes Firzal, Pedia Aldy https://journal.unwira.ac.id/index.php/ARTEKS/article/view/391 Perancangan coconut center dengan pendekatan biomimetika di Tembilahan 2020-07-29T20:10:59+07:00 Roqim Azyan Kemas kemas.roqim3873@student.unri.ac.id Yohannes Firzal yfirzal@eng.unri.ac.id Mira Dharma Susilawaty kemas.roqim3873@student.unri.ac.id <p><strong><em>Coconut center design with biomimetic approach in Tembilahan</em></strong></p> <p><em>Tembilahan is known as the country of the coconut expanse of the world who has the industry made from coconut, both from shell, stem and even from coconut fiber. The potential of the industry made from coconut in Indragiri Hilir has not received a positive response from the society because of the intense competition with the production of other raw materials., whereas coconut is one of the highest potentials that can be utilized to improve the regional economy. To support the development of the coconut industry, a coconut center is needed to accommodate a variety of activities related to coconuts such as handicraft centers and coconut development. By using a primary method in the form of a survey, as well as various sources of literature as a secondary method. In the design of the coconut center architecture, this biomimetic Architecture theme approach will be used which uses nature as a model and reference in design ideas; it can strengthen the natural aspects of the design object that refers to the function of crafts, research, production, education, and recreation.</em></p> <p><em>© 2020 Kemas Roqim Azyan, Yohannes Firzal, Mira Dharma Susilawaty</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Roqim Azyan Kemas, Yohannes Firzal, Mira Dharma Susilawaty https://journal.unwira.ac.id/index.php/ARTEKS/article/view/394 Karakteristik desain ruang terbuka hijau pada sempadan sungai perkotaan 2020-07-29T20:12:20+07:00 Kusriantari Fenny Aprillia fenny.aprillia@iti.ac.id Titieandy Lie fenny.aprillia@iti.ac.id Chairul Saputra fenny.aprillia@iti.ac.id <p><strong><em>Characteristics of green open space design on urban river borders</em></strong></p> <p><em>The design of green open space on the urban river border should be able to fulfill ecological and social functions like other types of green open space. Green open space of Teras Cikapundung, green open space of Jaletreng River Park, and green open space of Taman Kaulinan have their design characteristics in realizing both functions. This study aims to uncover the characteristics of green open space design on the urban river border. The method used is descriptive qualitative. The analysis shows that the three objects of research have similarities and differences that complement each other to fulfill ecological and social functions. Ecological functions can be fulfilled well in the green open space of Teras Cikapundung and green open space of Jaletreng River Park, while the social services can be performed well in the all three green open spaces. The conclusion obtained, i.e. (a) in terms of ecological functions and social functions must be fulfilled in a balanced manner, (b) because it is located in the river border area, it is expected that the river can be used as a potential in fulfilling ecological and social functions, (c) the river border area is maintained its natural area so that animal habitat can be managed, but can be integrated with artificial areas such as reinforcement to prevent erosion and river sedimentation, (d) the river body can be used as a visitor attraction Namely by designing a sitting space facing the river, developing a circulation area along the river border, and holding river games.</em></p> <p><em>© 2020 Kusriantari Fenny Aprillia, Titieandy Lie, Chairul Saputra</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Kusriantari Fenny Aprillia, Titieandy Lie, Chairul Saputra https://journal.unwira.ac.id/index.php/ARTEKS/article/view/395 Pemetaan hasil penelitian atap hijau dalam disiplin ilmu arsitektur di Indonesia 2020-07-29T20:13:34+07:00 Sri Yuliani sriyuliani71@staff.uns.ac.id Gagoek Hardiman ggkhar@yahoo.de Erni Setyowati ernisyahdu@gmail.com <p>Penelitian atap hijau telah berkembang pada berbagai ragam disiplin ilmu secara mendunia. Namun informasi penelitian dengan tema atap hijau di Indonesia masih terbatas diperoleh, termasuk dari disiplin ilmu arsitektur. Oleh karenanya, sangat penting mengidentifikasi pemetaan penelitian atap hijau dari sudut pandang arsitektur. Tujuan penelitian mengidentifikasi kebaruan penelitian atap hijau yang berpeluang dilakukan di Indonesia. Metode penelitian dengan menggunakan kajian literatur berdasarkan pemetaan melalui Vosviewer dilanjutkan dengan melakukan analisis isi pada sejumlah teori yang telah mengerucut. Hasil penelitian menyimpulkan bahwa penelitian atap hijau dari sudut pandang arsitektur, masih berpeluang pada penelitian yang menggunakan parameter lokasi berbasis iklim dan kriteria kepadatan, fungsi obyek hunian, inovasi bahan dan teknologi atap hijau yang aplikatif digunakan masyarakat Indonesia.</p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Sri Yuliani, Gagoek Hardiman, Erni Setyowati https://journal.unwira.ac.id/index.php/ARTEKS/article/view/402 Tipologi pengembangan kawasan berbasis transit di kawasan Stasiun Maguwo, Yogyakarta 2020-07-29T20:15:54+07:00 Agus Setiawan agussetiawan2004@gmail.com Ikaputra ikaputra@ugm.ac.id <p><strong><em>Transit oriented development (TOD) typology in Maguwo train station area, Yogyakarta</em></strong></p> <p><em>Transit oriented development (TOD) is a concept to address problems related to the lack of public transportation use in urban areas. Empirical conditions in Maguwo station area have not applied the TOD principle, especially related to density and diversity aspects, which results in the low intensity of public transportation use, based on these conditions it is necessary to reposition the area with TOD concept. Repositioning Maguwo station area with TOD concept begins with a review of existing conditions and TOD typologies that ideal to be implied in Maguwo station area, finding gaps between existing conditions and ideal TOD typology, and recommendations for resolving the gaps, will be input for design process of TOD area. The study uses quantitative and qualitative deductive methods with research variables including character of regional development, variety, and intensity of spatial use. The research showed the ideal TOD typology applied in Maguwo station area was a sub urban TOD. The gap between the existing conditions and sub urban TOD standard is the lack of residential units and the low intensity of spatial use including building, residential, and population density. Therefore, the design area need to add the number of residential units and increase the intensity of building density to match the sub urban TOD standard.</em></p> <p><em>© 2020 Agus Setiawan, Ikaputra</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Agus Setiawan, Ikaputra https://journal.unwira.ac.id/index.php/ARTEKS/article/view/403 Pengaruh perubahan sirkulasi terhadap fungsi ruang di rumah Peranakan, Kampung Babagan, Lasem 2020-07-30T05:13:36+07:00 Tessa Eka Darmayanti tessaeka82@gmail.com Azizi Bahauddin azizi@usm.my <p><strong><em>Effects of changes in circulation on spatial function in peranakan house, Babagan Village, Lasem</em></strong></p> <p><em>A change could affect circulation in a building. The change may be influenced by external or internal sources that are related to the perspective of tradition, culture and social surroundings. It may indirectly presents a new feature that can accommodate the needs of residents and this happens in one of the Peranakan houses in Lasem. It could be seen as a form of conservation while respecting family and social traditions and culture. The purpose of this study is to understand which components that influence changes in the circulation of space within the Peranakan-Kidang Mas housing complex which includes the main building, courtyard, kitchen, and workshop. To answer these objectives, the methods used are surveys, interviews, and observation. This narrative research discussion is supported by a spatial concept and research findings show that changes in circulation make it possible to give new meaning to the function of a space.</em></p> <p><em>© 2020 Tessa Eka Darmayanti, Azizi Bahauddin</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Tessa Eka darmayanti, Azizi Bahauddin https://journal.unwira.ac.id/index.php/ARTEKS/article/view/405 Akulturasi religi dalam arsitektur vernakular rumah Melayu Pontianak 2020-07-31T07:18:39+07:00 Muhammad Hidayat muhidayat24@gmail.com Budi Prayitno budiprayitno_ugm@yahoo.com Dwita Hadi Ratmi dwitahr@ugm.ac.id <p><strong><em>R</em></strong><strong><em>eligious acculturation in vernacular architecture in the Pontianak Malay house</em></strong></p> <p><em>Since its founding, Pontianak has been a multicultural society which is, reflected by the embodiment of the acculturation of traditional house architecture found in the neighborhoods where the city was firstly established and still exist until today. The history this city shows, that multicultural has existed for a long time, as the result of cultural integration of certain ethnic groups in the early formation of the Pontianak sultanate. This research is intended to explore further, the religious acculturation that accompanies the embodiment of ethnic acculturation in the vernacular architecture of the Pontianak Malay house. In this city, Malay is an embodiment of inter-ethnic diaspora who share Islamic faith. This research is a qualitative-descriptive research with a case study approach that involve 30 selected samples. The analysis is based on the extent to which the strength of the religious system of each ethnicity involved in the process of acculturation, with reference to the history of the development of da'wah in Pontianak in particular and in West Kalimantan in general. The study uncovered that religious acculturation embodied in Pontianak Malay vernacular architecture represented the form of tolerance between Islamic religious groups of each ethnicity (acculturation-separative) and in the physical element of acculturation to show respects to the authority of the Bugeinese vernacular (integrative-assimilative acculturation). It is hoped that the results of this study will further enrich the main elements of the vernacular architecture of the Pontianak Malay house, and will further illustrate the richness of Pontianak Malay Culture.</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Muhammad Hidayat, Budi Prayitno, Dwita Hadi Ratmi https://journal.unwira.ac.id/index.php/ARTEKS/article/view/436 Persepsi atribut pedagang kaki lima terhadap pemanfaatan trotoar Pandanaran 2020-07-29T20:20:27+07:00 Alfanadi Agung Setiyawan alfanadisetiyawan@gmail.com Suzanna Ratih Sari ratihsaris@yahoo.com Agung Budi Sardjono agungbsardjono@gmail.com <p>Trotoar adalah salah satu prasarana yang penting guna menunjang perkembangan dan efektivitas segala kegiatan pada skala kawasan. Keberadaan trotoar memiliki fungsi utama yakni mewadahi aktivitas berjalan kaki manusia, dengan tidak melupakan fungsi tambahan sebagai penghubung elemen transportasi perkotaan. Akan tetapi pada kenyataannya trotoar memiliki fungsi ganda, selain untuk berjalan kaki dimanfaatkan juga untuk sarana berdagang PKL (pedagang kaki lima). Penelitian ini memiliki tujuan untuk mengungkap keterkaitan antara persepsi atribut yang ditunjukkan dengan bagaimana para PKL berperilaku, dengan latar seting trotoar koridor jalan Pandanaran Semarang. Terdapat dugaan bahwa objek <em>street furniture </em>memiliki kekuatan properti yang mampu mewadahi tuntutan atribut para PKL. Untuk menjawab dugaan tersebut digunakanlah kuesioner tertutup dan metode <em>Person Centered Mapping</em> untuk memperoleh data statistik maupun data gambar rekaman perilaku PKL dalam berdagang di trotoar. Data yang didapat kemudian dianalisis menggunakan metode analisis statistik deskriptif. Dimulai dari klasifikasi sesuai persepsi berupa minat, tujuan, dan harapan diikuti oleh atribut yang memiliki relevansi dengan seting trotoar antara lain visibilitas, aksesibilitas, keamanan, dan adaptabilitas.</p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Alfanadi Agung Setiyawan, Suzanna Ratih Sari, Agung Budi Sardjono https://journal.unwira.ac.id/index.php/ARTEKS/article/view/442 Konsep arsitektur biomimetik pada bangunan Oseanarium 2020-09-20T11:50:17+07:00 Adhelia Adjani Rahmah adhladjnr@gmail.com Wafirul Aqli wafirul.aqli@ftumj.ac.id <p><strong><em>The concept of biomimetic in the Oceanarium building</em></strong></p> <p><em>The concept of biomimetic architecture, which is rarely heard, has many advantages that can be applied to architectural work. The purpose of using the concept of biomimetic architecture is to maximize functions, achieve energy efficiency, and improve the quality of objects and user activities by applying one or more biological criteria from 11 biological criteria. The oceanarium building is a museum building with marine life as an object of the exhibition with functions as educational facilities, recreation facilities, observation centers, and marine life conservation facilities. The oceanarium building is one of the educational facilities that are most readily accepted by the public. This has become very important at this time where the need for education about biota and marine life is increasingly threatened by landfill and the uncontrolled fishing on a large scale. Research on architectural concepts in oceanarium buildings uses qualitative research methods. By collecting data and studies both from observation and literature. The conclusion in the form of the influence of the existence of each biological criterion applied to an oceanarium building.</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Adhelia Adjani Rahmah, Wafirul Aqli https://journal.unwira.ac.id/index.php/ARTEKS/article/view/448 Penerapan prinsip desain arsitektur biofilik pada Riau Mitigation and Disaster Management Center 2020-09-20T11:49:45+07:00 Miftahul Karima miftahul.karima2128@student.unri.ac.id Yohannes Firzal yfirzal@eng.unri.ac.id Gun Faisal gunfaisal@gmail.com <p><strong><em>The application of biophilic architecture design principle on Riau Mitigation and Disaster Management Center</em></strong></p> <p><em>Disaster is a series of events that cause significant loss, even casualties. Indonesia, which was called as Laboratory of Disaster was characterized by the increase of complexity and number of disasters each year, which make mitigation and disaster management skill should be a top priority. Hence, a facility where education for mitigation could be held as needed. This facility was designed for education, recreation, and last evacuation shelter, located in Pekanbaru, Riau, due there wasn’t this type of facility in the province. Considering its function, biophilic design was chosen due to its principle of respecting nature; hence users’ productivity, physical and mental health increase and the existence of natural elements could give comfort and refuge. The design methodology was a site survey and data collection about Biophilic architecture design principles and mitigation and disaster prevention center from journals. The result of this methodology is a design of Mitigation and Disaster Management Center in Riau.</em></p> <p><em>© 2020 Miftahul Karima, Yohannes Firzal, Gun Faisal</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Miftahul Karima, Yohannes Firzal, Gun Faisal https://journal.unwira.ac.id/index.php/ARTEKS/article/view/456 Integrasi spasial dalam perancangan batas fisik perumahan kota, Studi kasus: Perumahan Setra Duta, Bandung, Jawa Barat 2020-09-20T11:49:13+07:00 Fauziyyah Sofiyah Radliyatullah fauziyyahsof2@gmail.com Yohanes Basuki Dwisusanto jbase@unpar.ac.id <p><strong><em>S</em></strong><strong><em>patial</em></strong> <strong><em>i</em></strong><strong><em>ntegration in physical boundary design of urban housing</em></strong></p> <p><em>The increasing number of residents of a city, the higher level of citizens' need for housing. The community's need for housing is answered by the developer by building housing in several areas. However, the phenomenon that occurs at this time is that the housing development often does not pay attention to the existence of existing settlements first, so that physical boundaries are created with poor physical spatial quality and create barriers between new housing and the surrounding environment. The physical boundaries that frame the city's housing complex certainly lead to the phenomenon of spatial segregation in the surrounding environment. Hence, the main purpose of this journal is to find out the extent of spatial integration that is applied to the physical boundaries of Setra Duta Bandung housing. The discussion method is carried out by analyzing problems and opportunities that arise at the physical boundaries in the study area, synergizing with the study of literature on spatial integration in the physical boundaries of urban housing. During the observations, it was found that the physical boundaries of Setra Duta housing showed spatial segregation with the part of the city that surrounds it. Spatial segregation is created as a result of something physical that causes or clarifies differences. This phenomenon brings negative impacts such as deteriorating the physical quality of spatial and shared space in the housing border area.</em></p> <p><em>© 2020 Fauziyyah Sofiyah Radliyatullah, Yohanes Basuki Dwisusanto</em></p> 2020-08-01T00:00:00+07:00 Copyright (c) 2020 Fauziyyah Sofiyah Radliyatullah, Yohanes Basuki Dwisusanto